Натюрморт с ирисами (Still life with Irises)
Boris Alexandrovich Chetkov (1926-2010)
Acrylic on Canvas, 1969, 24" x 20" (60 cm x 50 cm)
The richly saturated color anchored by the eye-smacking blues and highlighted by splashes of brilliant whites and jewel tones creates the full range of effects - depth as well as flatness, contours as well as planes, the substantive as well as the illusory - evoking a visceral sense of joy.
Dr. Alexander Borovsky, Chief Curator of Contemporary Art, State Russian Museum, St. Petersburg
Publications:
Boris Chetkov - Across All Barriers, Dr. Alexander Borovsky, Pushkin Group, Ltd. 2005, Page 163, Plate 137
Boris Chetkov - 100 Masterworks, Pushkin Group, Ltd, 2012, Page 73, Plate 55
View this PaintingView more Chetkov Still Lifes
During the postwar period, at a time when the Russian avant-garde was demonized in the Soviet Union as formalist and bourgeois, Chetkov resurrected many of their techniques. His works share the deliberate ‘unsophistication’ of Primitivist or folk art, the abstraction and spirituality of Kandinsky and the romantic whimsical view of peasant life as pioneered by Chagall.
Across All Barriers
Fortunately, Boris Chetkov did not suffer the almost total oblivion that was the lot of his predecessors, as he has become broadly regarded as one of the most important and distinctly unique innovators of Post War Russian art.
Reimagining Russia
Theodora Clarke discusses the artist's life and work and places Chetkov in the context of Modernism and Russian art in the Post War Era.
Dedicated to the extraordinary life of Boris Chetkov, illuminating his works in high-definition detail with videos, galleries, essays and more.
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