Boris Alexandrovich Chetkov (1926-2010)
Acrylic on Canvas, 1993, 30" x 40" (76 cm x 102 cm)
In its vibrancy and vibrations, this painting has a sense of phantasmagoria, of color's independent life, of richness of content, reflecting certain processes within the consciousness and the subconscious.
Theodora Clarke, Russian Art Scholar, The Courtauld Institute of Art
Provenance
This painting was acquired directly from the Artist for the Pushkin Group, Ltd. in 2002.
Publication History
Boris Chetkov - Across All Barriers, Pushkin Group, Ltd., 2006, Page 91, Plate 69
Boris Chetkov - 100 Masterworks, Pushkin Group, Ltd, 2012, Page 53, Plate 35
During the post-war period, at a time when the Russian avant-garde was demonized in the Soviet Union as formalist and bourgeois, Chetkov resurrected many of their techniques. His works share the deliberate ‘unsophistication’ of Primitivist or folk art, the abstraction and spirituality of Kandinsky and the romantic whimsical view of peasant life as pioneered by Chagall.
Fortunately, Boris Chetkov did not suffer the almost total oblivion that was the lot of his predecessors, as he has become broadly regarded as one of the most important and distinctly unique innovators of Post War Russian art.
Theodora Clarke discusses the artist's life and work and places Chetkov in the context of Modernism and Russian art in the Post War Era.
Dedicated to the extraordinary life of Boris Chetkov, illuminating his works in high-definition detail with videos, galleries, essays and more.
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